Good news; you’ve got a lot of choices. Bad news:
it ain’t gonna be cheap, and it’s ain’t gonna be simple.
First off, note that the Stones’ releases can be neatly
chopped into two sections: the
London/Decca years from 1963-1971 (rights now held by Allen B. Klein’s company
ABKCO), and everything after 1971, which has been on their own label,
distributed in the United States by (deep breath)…
-
Atco (1971-1973)- Atlantic (1973-1986)
- Columbia/Sony (1986-1992)
- Virgin (1992-2008)
- Interscope/Universal (2008- )
So really, of all the majors left only Capitol hasn’t gotten
their mitts on the band at one time or another, and that may be because Capitol
has The Beatles.
Until 2002, there was no one single product with music from
both the London/Decca era and the post-London/Decca era. Finally, Klein’s representatives and the
Stones were able to work things out and Forty
Licks (40 songs spanning both eras) was released, with Virgin distributing. Of course, now that Interscope has the band’s
catalogue, they couldn’t leave well enough alone, so Forty Licks went out of print for something better, even though the
Stones had released a grand total of one studio album (A Bigger Bang) in the interim.
(At least I assume it’s out of print; Amazon has it on disk for a
ridiculous $45 and only has two copies left as I write this.) So, reluctantly, here’s my recommendation:
Grrr!
What a stupid name for a greatest hits album.
First of all, if the Stones were really concerned about
getting us one relatively inexpensive single-disk hits set, they could do it –
they’ve had 22 top 10 hits in both England and the US, with a total of 30
making the top 10 between the two countries.
Get rid of a few of the lesser songs (off the top of my head: “Little Red Rooster,” “We Love You,”
“Dandelion,” “Fool to Cry,” and “Harlem Shuffle”) and you’d have an awesome one-disk 25-track set that would
make a party mix for most Baby Boomers redundant. Sadly, Mick and Keith seem determined to
wring every single dollar from our wallets, so to get all the hits in one set,
you’ll have to get this three-disk monster.
And three disks is the standard set. There was a two-disk set that was available
at some retailers in the U.S. (including my local Walgreens – which I admit is
hardly the place to buy albums – for a limited time), and there are versions
with 80 songs floating around for the truly obsessed. But the 3-CD, 50-song version is the
norm. Forty Licks had 40 tracks, of course.
Here’s the rest:
-
Big Hits
(High Tides and Green Grass), Flowers, and Through the Past, Darkly (Big Hits Volume 2) are all from the
London era, and none are at bargain prices.
Flowers is especially a ripoff
– it’s mostly songs that weren’t on other American albums, but three of the
songs in fact were on American studio
LPs. (Basically, the London/Decca era of
the Stones discography is a big mess; unlike the way Capitol Records handled
the Beatles’ records when the CD era arrived by dumping out of the American configurations for the more economical original British ones, ABKCO has stubbornly stuck with
the same configurations that they issued in the 1960s.)
-
Hot Rocks
1964-1971 and More Hot Rocks (Big
Hits and Fazed Cookies) are ABKCO reissues from the 1970s that rendered the
three previous hits sets redundant. The
first Hot Rocks was pretty much the
gold standard for Stones hits sets; the rule of thumb in most dorms and
fraternities when I was in school was one person would purchase the two-record
set on vinyl, and everybody else would tape it.
More Hot Rocks is for the more
serious fan, but most of those will want the studio albums anyway.
-
Made in
the Shade (1975) is culled from the first four studio albums of the 1970s; Sucking in the Seventies (1981) is from
the last two and Emotional Rescue,
with a sprinkling of other songs unavailable elsewhere. Made in
the Shade is still in print, Sucking
in the Seventies is not. Rewind (1971-1984) was issued during the
last of the Atlantic years and was a shuffle of all of the above plus songs
from Tattoo You and Undercover, it’s out of print.
-
Singles
Collection: The London Years is a great set, and still in print. It’s basically all of the A and B sides of
the Stones singles from 1963 to 1971 (with a couple of exceptions that are
excluded for rights reasons, and are available elsewhere). More expensive than it needs to be (it’s
nearly twice the cost of Grrr!), but
useful.
-
Jump Back
is a pretty good one-disk collection from 1971 to 1993 (really, 1989; there’s
nothing on it more recent than “Mixed Emotions”). At $8.39 on Amazon for the download, it’s
also one of the cheapest, and you’re not missing anything by not having the
liner notes.
- And apparently ABKCO has released a single-disk 16-track set, The Very Best of The Rolling Stones 1964-1971 – to what end, I couldn’t guess.
- And apparently ABKCO has released a single-disk 16-track set, The Very Best of The Rolling Stones 1964-1971 – to what end, I couldn’t guess.
Frankly, if you’ve already got Hot Rocks and Jump Back, you don’t really need Grrr! Here’s a comparison of tracks between those albums, with Forty Licks thrown in for good measure:
Song Title
|
Year
|
Forty Licks
|
Grrr! (50 tracks)
|
Hot Rocks & Jump
Back
|
Come On
|
1963
|
No
|
Yes
|
No
|
It's All Over Now
|
1964
|
Yes
|
Yes
|
No
|
Little Red Rooster
|
1964
|
No
|
Yes
|
No
|
Not Fade Away
|
1964
|
Yes
|
Yes
|
No
|
(I Can't Get No) Satisfaction
|
1965
|
Yes
|
Yes
|
Yes
|
19th Nervous Breakdown
|
1965
|
Yes
|
Yes
|
Yes
|
Get Off of My Cloud
|
1965
|
Yes
|
Yes
|
Yes
|
Play With Fire
|
1965
|
No
|
No
|
Yes
|
The Last Time
|
1965
|
Yes
|
Yes
|
No
|
Time Is on My Side
|
1965
|
No
|
Yes
|
Yes
|
As Tears Go By
|
1966
|
No
|
Yes
|
Yes
|
Have You Seen Your Mother, Baby, Standing in
the Shadow
|
1966
|
Yes
|
Yes
|
No
|
Heart of Stone
|
1966
|
No
|
Yes
|
Yes
|
Mother's Little Helper
|
1966
|
Yes
|
No
|
Yes
|
Paint It Black
|
1966
|
Yes
|
Yes
|
Yes
|
Under My Thumb
|
1966
|
Yes
|
Yes
|
Yes
|
Let's Spend the Night Together
|
1967
|
Yes
|
Yes
|
Yes
|
Ruby Tuesday
|
1967
|
Yes
|
Yes
|
Yes
|
She's a Rainbow
|
1967
|
Yes
|
Yes
|
No
|
We Love You
|
1967
|
No
|
Yes
|
No
|
Jumpin' Jack Flash
|
1968
|
Yes
|
Yes
|
Yes
|
Street Fighting Man
|
1968
|
Yes
|
Yes
|
Yes
|
Sympathy for the Devil
|
1968
|
Yes
|
Yes
|
Yes
|
Gimme Shelter
|
1969
|
Yes
|
Yes
|
Yes
|
Honky Tonk Women
|
1969
|
Yes
|
Yes
|
Yes
|
You Can't Always Get What You Want
|
1969
|
Yes
|
Yes
|
Yes
|
Midnight Rambler (Live)
|
1970
|
No
|
No
|
Yes
|
Brown Sugar
|
1971
|
Yes
|
Yes
|
Yes
|
Happy
|
1971
|
Yes
|
Yes
|
No
|
Wild Horses
|
1971
|
Yes
|
Yes
|
Yes
|
Bitch
|
1971
|
No
|
No
|
Yes
|
Tumbling Dice
|
1972
|
Yes
|
Yes
|
Yes
|
Angie
|
1973
|
Yes
|
Yes
|
Yes
|
Doo Doo Doo Doo Doo (Heartbreaker)
|
1973
|
No
|
Yes
|
No
|
Rocks Off
|
1973
|
No
|
Yes
|
No
|
It's Only Rock 'n' Roll (But I Like It)
|
1974
|
Yes
|
Yes
|
Yes
|
Hot Stuff
|
1976
|
No
|
No
|
Yes
|
Fool to Cry
|
1976
|
Yes
|
Yes
|
Yes
|
Beast of Burden
|
1978
|
Yes
|
Yes
|
Yes
|
Miss You
|
1978
|
Yes
|
Yes
|
Yes
|
Respectable
|
1978
|
No
|
Yes
|
Yes
|
Shattered
|
1978
|
Yes
|
No
|
No
|
Emotional Rescue
|
1980
|
Yes
|
Yes
|
Yes
|
Start Me Up
|
1981
|
Yes
|
Yes
|
Yes
|
Waiting on a Friend
|
1981
|
No
|
Yes
|
Yes
|
She Was Hot
|
1983
|
No
|
Yes
|
No
|
Undercover of the Night
|
1983
|
Yes
|
Yes
|
Yes
|
Harlem Shuffle
|
1986
|
No
|
Yes
|
Yes
|
Streets of Love
|
1986
|
No
|
Yes
|
No
|
Highwire
|
1989
|
No
|
Yes
|
No
|
Mixed Emotions
|
1989
|
Yes
|
Yes
|
Yes
|
Rock and a Hard Place
|
1990
|
No
|
No
|
Yes
|
Love Is Strong
|
1994
|
Yes
|
Yes
|
No
|
You Got Me Rocking
|
1994
|
Yes
|
No
|
No
|
Anybody Seen My Baby?
|
1997
|
Yes
|
Yes
|
No
|
Don't Stop
|
2002
|
Yes
|
Yes
|
No
|
Keys to Your Love
|
2002
|
Yes
|
No
|
No
|
Losing My Touch
|
2002
|
Yes
|
No
|
No
|
Stealing My Heart
|
2002
|
Yes
|
No
|
No
|
Doom and Gloom
|
2012
|
No
|
Yes
|
No
|
One More Shot
|
2012
|
No
|
Yes
|
No
|
Finally, for the truly obsessed, please note Mick, Bill Wyman, and Ron Wood all have their own solo best-ofs. Mick’s actually has a couple of tracks not on his studio albums, including a one-off single with Peter Tosh, a remake of the Temptations’ “Don’t Look Back” (which the two memorably performed on Saturday Night Live) that’s hard to find otherwise.
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