I haven’t written one of these in about two years, which is actually a good thing. Many times, I’ve written a “If You’re Going to Buy” post after a famous rock or pop star has died. Between January 2016 and January 2018, 11 of the 23 entries I made were right after someone had passed. But the last one I wrote was after Peter Tork of The Monkees died in 2019, so it’s been a while.
There are
other reasons I haven’t been writing these as frequently. I’m running out of
heritage artists (I’ve written about 38 artists total), and I don’t want to go down
to lesser-known acts (“If You’re Only Going to Buy One Greatest Hits Set by… Bo
Donaldson & The Heywoods” will not get many clicks). Further, Spotify
lessens the need to run out and buy a greatest hits set somewhat (“Okay Google,
play The Rolling Stones on Spotify” takes care of it). But I’m an ownership
person; I like the idea that I actually own the songs on CD (or vinyl,
or MP3… which reminds me that downloading
doesn’t necessarily mean you own it, but that’s an argument for another
time, and it’s possible that’s outdated anyway).
Anyway.
Mary Wilson died February 8 at the age of 77. Wilson was an original Supreme along with Diana Ross and
Florence Ballard (and Barbara Martin, who left a few years before the
major hits started happening); Ross is now the only surviving member of the
original group. Wilson was the only Supreme who was with the group at every
stage from the very beginning to the post-Ross very end (although she didn’t
sing on all the records; some of the latter-day “Diana Ross & The Supremes”
releases were actually Diana Ross & The Andantes, a Motown in-house backing
vocal group used by other acts as well); I also feel a kinship with her if only
because I worked on a bunch of reprints of her bestselling books Dreamgirl:
My Life as a Supreme (never met her, though). The Supremes had a huge run
of hits (twelve #1 pop hits between 1964 and 1969), and then both Diana Ross
and The Supremes had degrees of success after she went solo (the Supremes had
five top 20 hits between 1970 and 1972; Ross had twenty top 20 hits between
1970 and 1985).
So what I’m
going to do is pick three options: one for The Supremes with Diana Ross
as part of the group, one with The Supremes after Ross left, and one for
Ross solo. And I’ll identify which sets combine two or all three options
(although I prefer to avoid those). Links go to the Wikipedia pages.
For The Supremes:
25 songs on one disc, and every single Top 40 hit the group had (two are collaborations with The Temptations) is included. No bonus tracks you’ve never heard of, no remixes, no alternate versions (do note, though, that once in a while Motown would have an AM radio single mix for their hit songs and use a different one for albums for sound quality purposes; most of the hits sets stick with the single mixes), no postbreakup stuff. You might get more bang for the buck with other sets (this is $11.49 on Amazon and $11.99 on iTunes, which is a little expensive for one disc), but for me, this is exactly what I want. And it came out in 1997, so there’s a decent chance you can find a copy at a used CD store. (Side note: this is the image used for the Dreamgirl book cover; it also hung on our living room wall for years.)
For Diana Ross:
Yeah, you’re not getting the RCA years hits here (Ross had six top 20 hits after she left Motown in 1981 with RCA Records, now part of Sony), but for the most part Sony and UMG haven’t figured out how to play nice. The only set that appears to contain music from both conglomerates is the 1993 box set Forever Diana: Musical Memoirs, which isn’t available for download, is pretty expensive, and apparently had to be recalled because of sound quality issues—so I would be hesitant to even pick up a used copy. Anyway, this has all the important Motown hits (with the exception of some duets with Marvin Gaye, which might be worth downloading separately) in the full-length versions, and is a ridiculously cheap $5.99 to download on Amazon ($6.99 on iTunes for what started as a two-LP set), which is less than UMG’s skimpy budget-line 20th Century Masters series. Warning: the vinyl version originally released in 1981 has a different track configuration, including a Supremes mini-medley (this was the “Stars on 45” era); Motown issued it in a hurry since Ross was leaving for RCA Records. Be wary.
The post-Ross Supremes would probably work as a 20th Century Masters set, since they only had five top 20 hits, and in the early 1990s Motown released The Supremes: Greatest Hits and Rare Classics, a 23-song, one-disc set including most of the important hits and album tracks, plus a few solo tracks from Jean Terrell (Diana’s replacement) and Scherrie Payne (one of their last lead singers and Freda Payne’s sister). Unfortunately, it’s not available for download. The ‘70s Anthology is a great value at $12.49 on Amazon and $12.99 on iTunes for two discs’ worth of music, but that’s a lot more than all but the most fanatical Supremes fan will want. The physical version, with liner notes by Mary Wilson, is out of print. This is available on Spotify; give it a test drive there if you can.
And here
are the other options (all are by The Supremes or Diana Ross & The Supremes
unless indicated otherwise); the ones I mentioned and linked to above are not
listed below.
Greatest
Hits Volume Three (1969)—How much do you want to bet fans scrambled
around to find Volume Two, which was never released as a standalone album in the States? (As far as Motown
was concerned, the two albums in Greatest Hits were Volume One and
Volume Two, I guess—it appears they were released that way in some territories,
and Motown mocked up a “Vol. 2” cover for an alleged two-for early in the CD
era.) Anyway, this represented their hits from the first set to Ross leaving
the group—although “Love Is Here and Now You’re Gone” and “The Happening” are
repeated from Greatest Hits, and the group efforts with The Temptations
(“I’m Gonna Make You Love Me”) are inexplicably left off.
Greatest
Hits (1976, Diana Ross)—Ross’ first solo anthology, issued in a hurry
(I think “Love Hangover” was still on the charts when it came out). Out of
print and unavailable for download.
Ross (1978,
Diana Ross)—Half new songs, half remixes of old songs. I sense Motown released
this in preparation for anticipated demand based on Ross starring in the movie
version of The Wiz, and that obviously didn’t happen. Out of print and
unavailable for download.
At Their
Best (1978)—All the post-Ross hits. Now out of print and unavailable
for download, although in 2006 UMG shoehorned Greatest Hits, Greatest Hits
Volume Three, and this into a Supremes entry in their Gold two-CD
heritage artist series ($18.99 for the download on Amazon, $19.99 on iTunes),
so that’s another option if you want to save a little money.
Great Songs and Performances That Inspired the Motown 25th Anniversary TV Special (1983)—Motown released a batch of these after the 1983 special garnered huge ratings; in this case it’s a little ironic since the most talked-about moment (edited out of the broadcast show) was Ross shoving Wilson during an attempted Supremes reunion. Anyway, ten songs in random order. Out of print and unavailable for download.
Anthology (1983,
1986, Ross)—Two more vinyl albums a couple of years after All the Great Hits,
and a two-CD set a few years later. That’s the one I have, and it’s perfectly
good (although oddly sequenced, it seems like on Disc 2 they discovered they
had about 10 minutes of space after chronologically ordering her hits, and went
back to the early 1970s to drop in a few more). Not to be confused with The
Motown Anthology; out of print and unavailable for download.
20 Greatest
Hits: Compact Command Performances (1984)—The first Amazon review says, “Sound
quality stinks,” which isn’t surprising; I don’t think record labels had gotten
the hang of digital remastering for CD in 1984. Not available for download
(despite a link on Amazon that goes to Ross’ first solo album instead), and out
of print, probably should be avoided used.
Diana Ross
& The Supremes: 25th Anniversary Collection (1986)—Motown
released one of these for both The Supremes and The Temptations; I have the latter.
It was a little cheaper than Anthology but not as complete; split up
into two volumes (I think) for CD (the vinyl version was three LPs, and half of the set was dedicated to standards and rarities). These now go for a small fortune on Amazon
(unfortunately for me The Tempts’ version does not), but they’re out of print
and unavailable for download.
Diana Extended:
The Remixes (1997)—There was a period in the 1990s when remixed versions of
hits were all the rage; thank God that’s over. Anyway, this came out around that
time, and if you really want to listen to dance-floor-only versions of “Someday
We’ll Be Together” and “Chain Reaction,” here you go. Out of print and
unavailable for download.
Greatest Hits: The RCA Years (1997, Ross)—I think all but the most diehard Diana Ross fan would agree her years on RCA Records didn’t live up to her Motown standard. (Long story short: Ross was offered a huge amount of money to jump to RCA Records in 1981 and gave Berry Gordy the opportunity to match it; despite their past personal history, Gordy passed—which probably turned out to be a sound business decision.) Anyway, this doesn’t even have one of the top 20 hits she made for the label (“All of You,” a duet with Julio Iglesias), and there’s a lot of filler. But since these aren’t available on any UMG-generated best-ofs aside from the out-of-print box set, you may want to pick this up anyway if you see it cheap. $10.99 for the download on Amazon and iTunes (but $6.99 for the physical disc on Amazon). Note the version of “Endless Love” here does not include Lionel Richie; it’s her solo version.
20th Century Masters The Millennium Collection: The Best of Diana Ross and The Supremes (1999 for Vol. 1 and 2000 for Vol. 2) and 20th Century Masters The Millennium Collection: The Best of Diana Ross (2000, Ross)—I hate these things so much I can barely bring myself to discuss it; they’re corporate greed at its finest. The 1999 version was issued as a low-budget option for collectors (and included the single mixes); even though Florence Ballard is pictured on the front cover it’s billed as “Diana Ross & The Supremes” (the group’s name was changed at the same time Motown fired Ballard), and three songs are from the Cindy Birdsong era. Vol. 2, from a year later, shows Birdsong on the cover, but five of the eleven songs have Ballard in the group, and four other songs are from after Ross left. Both are $6.99 for the download, and are still in print, so people are buying them. Ross’ solo version might be worth picking up if Motown had bothered to use the full-length versions of the songs (it wasn’t because of space limitations, that’s for sure: there are only 11 songs on teach disc, so the Supremes packages are about a half hour long), and every song is also on All the Great Hits in its full version, making this almost completely useless. Also $6.99 for the download.
The Supremes (2000)—Four-CD
box set that contains three discs from the Ross years and one disc post-Ross.
Looks pretty fancy from the photos (I think the box is made of the same flecked
cloth material that The Bee Gees used on their concept album Odessa),
but that probably means they only made one print run. Unavailable for download
and $200 on Amazon for the CD (don’t think you’re getting a bargain by clicking
on the $8.99 vinyl version: that’s a copy of the post-Ross group’s studio album
of the same name).
The Motown
Anthology (2001, Ross)—Perfectly acceptable two-disc set of Ross’ biggest
hits—and a lot of nonhits, since her RCA material is excluded. Probably too
much for all but the most devoted Ross fans, who probably buy her studio albums
anyway. $18.99 for the download on Amazon and $19.99 on iTunes; $20.96 for the
discs on Amazon.
The #1’s (2003, both Supremes and Ross)—24 songs on one disc, which is good, with all three configurations represented (although the only post-Ross Supremes song is “Stoned Love”). All the Supremes songs are labeled on Amazon as having “2003 Remix”es, and there’s a second version of “You Keep Me Hangin’ On” with “The Almighty” remix (I’ll withhold comment on that). Strangely, this is $6.99 on iTunes (which is usually more expensive than Amazon, it’s $10.49 there), so it might be worth a download, although I’d recommend test driving the samples on iTunes first (it’s not available on Spotify); I checked the track listing there and the “2003 Remix” labels aren’t there, and “Where Did Our Love Go” sounds fine. It appears the international version has a different cover; don’t blame me for the misplaced apostrophe.
Joined Together: The Complete Studio Duets (2004)—This set utilizes their two studio albums with The Temptations, along with outtakes and other filler (a live album from a TV special is not included) to fill up two discs. Nothing special—the two groups were going in such different directions at the point they didn’t mesh very well—but interesting for collectors, since Wilson and Birdsong are present for all the recordings here; they were replaced by The Andantes for most of the “Diana Ross & The Supremes” music at that time. $19.99 for the download on Amazon, $24.99 on iTunes. I bought a copy from BMG Music Service (RIP) for $2.99 or thereabouts many years ago; I’m gratified to see the one physical copy on Amazon is priced at $902.81; maybe that can buy my son another few days at college next year.
This
Is the Story: The '70s Albums, Vol. 1 – 1970–1973: The Jean Terrell Years and Let
Yourself Go: The '70s Albums, Vol 2 – 1974–1977: The Final Sessions (2006)—UMG
utilized their imprint Hip-O records as a counterpoint to Warner Music’s Rhino
(get it?) by released short runs of box sets and long out-of-print albums in
the early 2000s; some of them have been made available for download. (I’m not
complaining; I picked up Rupert Holmes’ all-encompassing Cast of Characters
in 2005 that way; that sucker’s impossible to find nowadays). Anyway, Motown
put every note the group recorded after Ross left on these two sets, which are
available on Amazon for $32.99 and $28.49, respectively, for roughly three CDs
worth of music apiece ($34.99 and $29.99 on iTunes). Also available is Magnificent:
The Complete Studio Duets, a two-CD set of three vinyl albums recorded with
The Four Tops in the early 1970s, for $21.99 on Amazon, $24.99 on iTunes. Two
of the three are on Spotify (This Is the Story is not, although the five
studio albums included in the set are there individually), so you might want to
give them a listen first before making that big an investment.
The
Definitive Collection (2006, Ross)—Hey, I found another set that
mixes Ross’ Motown and RCA hits! Too bad it’s unavailable for download—and at
$19.95 for a single disc, you’re better off getting All the Great Hits and
The RCA Years anyway. And this doesn’t have “All of You” either. Maybe
if you see it cheap at a used CD store.
The
Definitive Collection (2008)—This one is available for download, but
has seven less songs than The Ultimate Collection. At $9.49 on Amazon
and $9.99 on iTunes, it’s also cheaper, but you’re getting a lot less bang for
the buck.
Let
the Music Play: Supreme Rarities 1960-1969 (Motown Lost & Found) (2008)—Geez,
what a title. This isn’t actually a greatest hits set (although a few hits are
on it); it’s two CDs worth of alternate takes, rarities, and such. I have this,
but only because I found it cheap at 2nd and Charles, a used CD
store that’s since closed its local location. $24.99 for the download on Amazon
and iTunes.
Diana Ross
Sings Songs From The Wiz (2015, Ross)—I dunno; The Wiz was
a pretty famous bomb as a movie (casting 34-year-old Ross as Dorothy Gale may
not have been a great move), so I don’t know why anyone would want a whole
album of the songs that made it to the soundtrack and those that didn’t. But if
that’s your thing, here it is. $9.49 for the download on Amazon, unavailable on
iTunes.
Other “If You’re Only Going to Buy One Greatest Hits Set From…” Blog Posts You Might Enjoy:
The Allman Brothers Band
The Beach Boys
David Bowie
The Byrds
Glen Campbell
Chicago
The Commodores
Crosby, Stills, Nash & Young
Fats Domino
The Eagles
Earth, Wind & Fire
Electric Light Orchestra
Fleetwood Mac
Dan Fogelberg
Aretha Franklin
Marvin Gaye
Merle Haggard
Daryl Hall & John Oates
George Harrison
Heart
Michael Jackson
Jefferson Airplane and Jefferson Starship
Elton John
John Lennon
The Kinks
Paul McCartney
The Moody Blues
The
Monkees
Van Morrison
Tom Petty & The Heartbreakers
Prince
R.E.M.
The Rolling Stones
Linda Ronstadt
Frank Sinatra
Ringo Starr
Steely Dan
The Temptations
The Who
Crossposted from Yesterday, Today, and Tomorrow.
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