There isn’t much to say about Fats Domino that isn’t already
known. Antoine Domino Jr. (yes, that was his real last name; “Fats” was a
fairly obvious nickname) was a lifelong Louisiana resident, born in New Orleans
in 1928 and dying today at his home in Harvey, on the opposite side of the
Mississippi River. In the 89 years in
between, he created, with trumpeter/arranger/producer Dave Bartholomew, the
boogie-woogie and R&B sounds that became rock and roll standards. Anything
from originals like “Ain’t That a Shame” and “I’m Walkin’” to standards like “My
Blue Heaven” and “Blueberry Hill” became indelibly associated with The Fat Man. He had 68 songs hit Billboard’s pop
singles charts between 1952 and 1968, with many of them double-sided hits.
After his chart days ended, Domino continued to tour for years after, then
curtailed his touring to play concerts primarily in New Orleans.
Most of Domino’s hits were on Imperial Records in the 1950s and 1960s. When that label started slipping, Domino switched to ABC-Paramount, joining Ray Charles there. Histories note he was forced to record in Memphis and Nashville rather than New Orleans and wasn’t allowed to work with Bartholomew (who, by the way, is still around at age 98), but truth be told he’d stopped hitting the top half of the charts before making the switch in any case. (Felton Jarvis was his producer for ABC, and perhaps while not as sympathetic as Bartholomew, Jarvis would produce Elvis Presley, Mike Nesmith, Willie Nelson, and plenty of other country acts. Perhaps it just wasn’t the right fit.) He made a few other label stops over the next two decades, but the bulk of Domino’s income would come from concerts and songwriting royalties.
Imperial eventually was folded into Capitol Records, which is now part of Universal Music Group – which also inherited ABC-Paramount’s catalog. However, all of the current Domino hits sets only include his Imperial hits – nothing from the later years, including a pretty good version of The Beatles’ “Lady Madonna,” which came out on Reprise. (Paul McCartney had written the song trying to emulate Domino’s sound.) Maybe someday UMG will get around to releasing an all-encompassing set. In the interim, there are a few other options out there. Here’s my choice to start:
Most of Domino’s hits were on Imperial Records in the 1950s and 1960s. When that label started slipping, Domino switched to ABC-Paramount, joining Ray Charles there. Histories note he was forced to record in Memphis and Nashville rather than New Orleans and wasn’t allowed to work with Bartholomew (who, by the way, is still around at age 98), but truth be told he’d stopped hitting the top half of the charts before making the switch in any case. (Felton Jarvis was his producer for ABC, and perhaps while not as sympathetic as Bartholomew, Jarvis would produce Elvis Presley, Mike Nesmith, Willie Nelson, and plenty of other country acts. Perhaps it just wasn’t the right fit.) He made a few other label stops over the next two decades, but the bulk of Domino’s income would come from concerts and songwriting royalties.
Imperial eventually was folded into Capitol Records, which is now part of Universal Music Group – which also inherited ABC-Paramount’s catalog. However, all of the current Domino hits sets only include his Imperial hits – nothing from the later years, including a pretty good version of The Beatles’ “Lady Madonna,” which came out on Reprise. (Paul McCartney had written the song trying to emulate Domino’s sound.) Maybe someday UMG will get around to releasing an all-encompassing set. In the interim, there are a few other options out there. Here’s my choice to start:
The Fats Domino Jukebox
Here are some other options. No links to
Wikipedia this time; Fats had so many hits sets nobody’s written them up there.
Legendary Masters (1971) – I purchased this 28-song set on two LPs back when I was in college, and it was nearly impossible to find back then, so you’ll really have to scour the used record stores now. It’s got some decent liner notes and pretty much all of the good Imperial hits. I don’t think this ever came out on CD.
My Blue Heaven: The
Best of Fats Domino (1990) – another 20-song set (it’s only 44 minutes
long), and I have this. The song selection may be slightly better (“When My
Dreamboat Comes Home” and “Blue Monday” are here), but it’s not significantly
different from The Fats Domino Jukebox
– and it’s out of print and unavailable for download, anyway.
They Call Me The Fat
Man (1991) – record companies were releasing box sets in record numbers in
the early 1990s, and I guess Capitol did pretty well with this one; it’s still
in print and available for download. My gripe is the songs aren’t in
chronological order, and even though there are four discs and 100 songs, not
every chart hit is here (and, as I noted, even 25 songs/disc means there’s
still a bunch of unused space). You’ll need to be a major Domino fan to
purchase this one. $47.49 for the Amazon
download and $49.99 on iTunes; $48.99 for the physical box set on Amazon, which
comes with an 84-page booklet.
Greatest Hits: Walking to New Orleans (2007) – released after a burst of publicity after Hurricane Katrina (Domino waited out the storm at his home, primarily because his wife Rosemary was in poor health), this is a perfectly good 30-song set that just misses besting The Fats Domino Jukebox because of the price point. The only top 20 hit missing is 1960’s “Three Nights a Week,” which you can probably skip. $11.49 for the physical disc on Amazon, $13.49 for the download ($13.99 on iTunes). It’s real close between this and Fats Domino Jukebox – if you feel like spending the extra few bucks, do it.
Greatest Hits: Walking to New Orleans (2007) – released after a burst of publicity after Hurricane Katrina (Domino waited out the storm at his home, primarily because his wife Rosemary was in poor health), this is a perfectly good 30-song set that just misses besting The Fats Domino Jukebox because of the price point. The only top 20 hit missing is 1960’s “Three Nights a Week,” which you can probably skip. $11.49 for the physical disc on Amazon, $13.49 for the download ($13.99 on iTunes). It’s real close between this and Fats Domino Jukebox – if you feel like spending the extra few bucks, do it.
Sweet Patootie: The
Complete Reprise Recordings (2009) – “Lady Madonna” was the only chart hit
from the Reprise years (the late 1960s and early 1970s), so don’t think you’re
getting the classics here (although Domino didn’t rerecord any of his old hits
for the label). It’s an option to hear more Fats, but it’s not a hits set. $12.49 for the download on Amazon and $12.99
on iTunes; it appears to be out of print on disc.
All-Time Greatest Hits
(2011) – Curb Records has been leasing out catalogs for years, cherrypicking
the best songs and putting a fairly high price on the finished product (and
allowing only the entire album to download, rather than selected songs). 13
songs here, which is a little short; at least UMG usually prices their shorter
reissues at bargain prices (I guess they haven’t gotten around to Fats yet).
$9.49 for the download and $13.74 for the disc on Amazon; obviously you’re much
better off with The Fats Domino Jukebox.
The Complete Hits 1950-62
(2015) – I hate, hate, hate to recommend sets on nonamo record labels, but I’m
making an exception here. Acrobat
Records appears to be a reissue label in England that takes advantage of the
more lax copyright laws there (anything older than 50 years old goes into the
public domain – the United States seems to be pushing that back further and
further, probably on the behest of the Disney Company so that 90-year-old
Mickey Mouse cartoons don’t fall into the hands of cheap DVD manufacturers).
Anyway, the result is this three-disc, 79-song set, which is probably not from
the original master tapes (if they even exist anymore), but from what I’ve
heard, they sound like the original recordings – and I’ve got to say it isn’t
like the original recordings were all that well recorded anyway. This has every chart hit from Fats that appeared
on Imperial, and in chronological order, too. I will probably download this
someday. Not available for download on Amazon or iTunes, but $16.62 for the
three physical discs – certainly a better option than They Call Me the Fat Man. (Note to Naperville, IL residents like me:
this is available for download through our library system, or for streaming.)
Note: I’m also in the market for Live From Austin, TX: Fats Domino (2006), which comes from a 1987
concert recorded for the PBS series Austin
City Limits. The DVD itself is out of print, but there are a few clips
available on YouTube, and it looks like Fats is having a ball.
Here are Fats Domino’s hits and where to find them:
Song Title
|
Year Released
|
Billboard Chart Peak
|
Complete Hits 1950-1962
|
They Call Me The Fat Man
|
The Fats Domino Jukebox
|
Greatest Hits: Walking to New Orleans
|
Goin' Home
|
1952
|
30
|
Yes
|
Yes
|
Yes
|
Yes
|
Going to the
River
|
1953
|
24
|
Yes
|
Yes
|
Yes
|
Yes
|
Ain't That a
Shame
|
1955
|
10
|
Yes
|
Yes
|
Yes
|
Yes
|
Bo Weevil
|
1956
|
35
|
Yes
|
Yes
|
Yes
|
|
I'm in Love Again
|
1956
|
3
|
Yes
|
Yes
|
Yes
|
Yes
|
My Blue Heaven
|
1956
|
19
|
Yes
|
Yes
|
Yes
|
|
When My Dreamboat
Comes Home
|
1956
|
14
|
Yes
|
Yes
|
Yes
|
|
So Long
|
1956
|
44
|
Yes
|
Yes
|
Yes
|
|
Blueberry Hill
|
1956
|
2
|
Yes
|
Yes
|
Yes
|
Yes
|
Blue Monday
|
1956
|
5
|
Yes
|
Yes
|
Yes
|
Yes
|
What's the Reason
I'm Not Pleasing You
|
1956
|
50
|
Yes
|
Yes
|
||
I'm Walkin'
|
1957
|
4
|
Yes
|
Yes
|
Yes
|
Yes
|
Valley of Tears
|
1957
|
8
|
Yes
|
Yes
|
Yes
|
Yes
|
It's You I Love
|
1957
|
6
|
Yes
|
Yes
|
Yes
|
Yes
|
When I See You
|
1957
|
29
|
Yes
|
Yes
|
||
What Will I Tell
My Heart
|
1957
|
64
|
Yes
|
Yes
|
||
Wait and See
|
1957
|
23
|
Yes
|
Yes
|
Yes
|
|
I Still Love You
|
1957
|
79
|
Yes
|
Yes
|
||
Big Beat, The
|
1957
|
26
|
Yes
|
Yes
|
||
I Want You To
Know
|
1957
|
32
|
Yes
|
Yes
|
||
Yes My Darling
|
1958
|
55
|
Yes
|
Yes
|
||
Sick and Tired
|
1958
|
22
|
Yes
|
Yes
|
||
No, No
|
1958
|
55
|
Yes
|
Yes
|
||
Little Mary
|
1958
|
48
|
Yes
|
Yes
|
||
Young School Girl
|
1958
|
92
|
Yes
|
|||
Whole Lotta
Loving
|
1958
|
6
|
Yes
|
Yes
|
Yes
|
Yes
|
Coquette
|
1958
|
92
|
Yes
|
|||
Telling Lies
|
1959
|
50
|
Yes
|
Yes
|
||
When the Saints
Go Marching In
|
1959
|
50
|
Yes
|
Yes
|
||
I'm Ready
|
1959
|
16
|
Yes
|
Yes
|
Yes
|
|
Margie
|
1959
|
51
|
Yes
|
Yes
|
||
I Want to Walk
You Home
|
1959
|
8
|
Yes
|
Yes
|
Yes
|
Yes
|
I'm Gonna Be a
Wheel Someday
|
1959
|
17
|
Yes
|
Yes
|
Yes
|
Yes
|
Be My Guest
|
1959
|
8
|
Yes
|
Yes
|
Yes
|
Yes
|
I've Been Around
|
1959
|
33
|
Yes
|
Yes
|
||
Country Boy
|
1960
|
25
|
Yes
|
Yes
|
||
If You Need Me
|
1960
|
98
|
Yes
|
Yes
|
||
Tell Me That You
Love Me
|
1960
|
51
|
Yes
|
Yes
|
||
Before I Grow Too
Old
|
1960
|
84
|
Yes
|
|||
Walking to New
Orleans
|
1960
|
6
|
Yes
|
Yes
|
Yes
|
Yes
|
Don't Come
Knockin'
|
1960
|
21
|
Yes
|
Yes
|
||
Three Nights a
Week
|
1960
|
15
|
Yes
|
Yes
|
||
Put Your Arms
Around Me Honey
|
1960
|
58
|
Yes
|
Yes
|
||
My Girl Josephine
|
1960
|
14
|
Yes
|
Yes
|
Yes
|
Yes
|
Natural Born
Lover
|
1960
|
38
|
Yes
|
Yes
|
||
Ain't That Just
Like a Woman
|
1961
|
33
|
Yes
|
Yes
|
||
What a Price
|
1961
|
22
|
Yes
|
Yes
|
||
Shu Rah
|
1961
|
32
|
Yes
|
Yes
|
||
Fell in Love on
Monday
|
1961
|
32
|
Yes
|
Yes
|
||
It Keeps Rainin'
|
1961
|
23
|
Yes
|
Yes
|
||
Let the Four
Winds Blow
|
1961
|
15
|
Yes
|
Yes
|
Yes
|
Yes
|
What a Party
|
1961
|
22
|
Yes
|
Yes
|
||
Rockin' Bicycle
|
1961
|
83
|
Yes
|
Yes
|
||
I Hear You
Knocking
|
1961
|
67
|
Yes
|
Yes
|
||
Jambalaya
|
1961
|
30
|
Yes
|
Yes
|
Yes
|
|
You Win Again
|
1962
|
22
|
Yes
|
Yes
|
||
Ida Jane
|
1962
|
90
|
Yes
|
Yes
|
||
My Real Name
|
1962
|
59
|
Yes
|
Yes
|
||
Dance With Mr.
Domino
|
1962
|
98
|
Yes
|
Yes
|
||
Nothing New (Same
Old Thing)
|
1962
|
77
|
Yes
|
Yes
|
||
Did You Ever See
a Dream Walking
|
1962
|
79
|
Yes
|
Yes
|
||
There Goes (My
Heart Again)
|
1963
|
59
|
||||
Red Sails in the
Sunset
|
1963
|
35
|
||||
Who Cares
|
1963
|
63
|
||||
Lazy Lady
|
1964
|
86
|
||||
Sally Was a Good
Old Girl
|
1964
|
99
|
||||
Heartbreak Hill
|
1964
|
99
|
||||
Lady Madonna
|
1968
|
100
|